Kate Chopin is usually met through one book. The Awakening appears on reading lists as a novel about a married woman in 1890s New Orleans who stops behaving as expected, and many readers know that much and nothing else. The novel is short and clear, and it is a reasonable place to start. It is not the whole writer.
Before it, Chopin published two collections of stories set in rural Louisiana, among Creole planters, Cajun farmers, and the Black people who worked for them, many of them formerly enslaved. These stories are brief, often under ten pages, and written with an ear for speech. A reader who finds the novel cool and interior may find the stories warmer, and a reader who wants the novel’s intensity may find them slight. It is worth knowing which Chopin you are looking for.
This guide covers the novel and the two collections, all available free on Project Gutenberg. It describes settings, openings, and how the books are built. It does not reveal how the novel ends.
First choice: The Awakening
The Awakening, published in 1899, has thirty-nine chapters, most of them a few pages long.1 It opens on Grand Isle, a summer resort on the Gulf of Mexico, with a caged parrot shouting in French and a man, Leonce Pontellier, trying to read his newspaper. His wife Edna is down at the beach with Robert Lebrun, a young man who attaches himself to a different married woman every summer. The first half of the book stays on the island; the second returns to the Pontellier house on Esplanade Street in New Orleans.
Why begin here? The short chapters let you read it in a few evenings and give you frequent pauses. Chopin narrates in the third person but stays close to Edna, and much of what happens is a change in attention rather than an event: Edna learning to swim, listening to Mademoiselle Reisz play the piano, choosing not to receive callers on her usual Tuesday. Notice the two women set on either side of her, the devoted mother Madame Ratignolle and the solitary pianist Reisz, and how Edna measures herself against each.
The Gutenberg eBook also includes eight short stories after the novel, among them “Desiree’s Baby,” “A Respectable Woman,” and “A Pair of Silk Stockings.” If you finish the novel and want more, they are already in the file.
Second choice: Bayou Folk
Bayou Folk, from 1894, collects twenty-three stories.2 The first, “A No-Account Creole,” is the longest and opens in New Orleans with two young businessmen on Canal Street discussing an investment, before moving upriver to a run-down plantation. Most of the rest are set in and around Natchitoches Parish in northern Louisiana, on small farms and old plantations, and many are only three or four pages.
Why second? The stories show the ground the novel grew from. Chopin writes Creole French speakers, Cajun farmers, and Black servants and field hands in dialect spelling, and the collection has a wider social range than The Awakening. “Desiree’s Baby,” set before the Civil War, is the most anthologised and concerns a foundling, a marriage, and a question about ancestry; it is short, and its last paragraph is often quoted, so read it before anyone describes it to you. “Beyond the Bayou,” “Madame Celestin’s Divorce,” and “A Gentleman of Bayou Teche” are good places to hear the comic register. Read the collection out of order if you like; the stories do not depend on one another.
Third choice: A Night in Acadie
A Night in Acadie, published in 1897, collects twenty-one stories.3 The title story follows a young Cajun man, Telesphore, who takes a train to a neighbouring parish on a whim and ends up at a dance. “Athenaise,” the second and longest piece, is about a young wife who leaves her husband’s house, is fetched back, leaves again, and ends up in New Orleans, and it is the story closest in subject to the novel that followed two years later.
Why third? This is the collection for readers who liked the novel’s interior turn. Several stories, among them “Athenaise,” “A Respectable Woman,” and “Regret,” are about women noticing what they want, and the endings are often quiet rather than dramatic. “Regret” is four pages about a woman who has never had children looking after a neighbour’s four for two weeks. “Ripe Figs” is barely a page. If you want a sense of Chopin in half an hour, read those two and “A Respectable Woman.”
Which book first?
| Your situation | Start with |
|---|---|
| Want the famous novel, a few evenings | The Awakening |
| Prefer very short stories with strong local colour | Bayou Folk |
| Liked the novel, want stories in the same key | A Night in Acadie |
| Half an hour to decide | ”Regret,” “Ripe Figs,” and “A Respectable Woman” in A Night in Acadie |
Readers who finish The Awakening and want another American novelist writing about marriage and social rules may try Edith Wharton, whose New York is a colder place than Chopin’s Louisiana. For other short fiction of similar length from the same decades, see classic short stories for beginners.
Content notes and period language
All three books use the vocabulary of 1890s Louisiana for race. “Negro,” “mulatto,” and “quadroon” appear throughout as ordinary descriptive terms, “darky” and “darkey” occur in dialogue, and the word “nigger” appears once in Bayou Folk. Black characters’ speech is written in heavy dialect spelling, as is Cajun and Creole English. Several stories in Bayou Folk are set under slavery or in its immediate aftermath, and some of the formerly enslaved characters are shown as loyal to their former owners in ways modern readers will find troubling. “Desiree’s Baby” and “La Belle Zoraide” deal directly with slavery and racial descent.
The Awakening includes an extramarital affair, a scene of childbirth, and a death. Some stories in both collections include the death of a child or a parent.
What the Louisiana setting means
The Creoles in these books are white, French-speaking, Catholic descendants of the colonial settlers, and the Cajuns, whom Chopin spells “‘Cadian,” are the rural descendants of Acadian exiles from Canada. Both groups speak French at home, so characters move between French and English, and short French phrases are left untranslated. You do not need them all. Place names such as Natchitoches, Avoyelles, and the Bayou Teche recur, and the map becomes clear after a few stories.
How to read Kate Chopin on BlueReader
Each of the three books has an EPUB download on its Project Gutenberg page. Save the file, upload it to BlueReader, and once the server has finished processing it the book appears on your bookshelf and remembers your place on whichever device you open it.4
The story collections suit reading in short gaps, since most pieces finish in ten minutes. For the novel, two or three chapters a session keeps the pace Chopin set. If a French word stops you, the optional popup dictionary opens by double-clicking on desktop or pressing and holding on mobile; most of the phrases are greetings and endearments.
Footnotes
-
Project Gutenberg, The Awakening, and Selected Short Stories, eBook No. 160. Thirty-nine chapters, 1899, followed by eight short stories. ↩
-
Project Gutenberg, Bayou Folk, eBook No. 46650. Twenty-three stories; Houghton, Mifflin, 1894. ↩
-
Project Gutenberg, A Night in Acadie, eBook No. 63025. Twenty-one stories; Way and Williams, 1897. ↩
-
BlueReader browser reading guide and free EPUB guide: EPUB upload and server processing before reading. ↩